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・ Kazue
・ Kazue Fukiishi
・ Kazue Ikura
・ Kazimierzów, Łosice County
・ Kazimierzów, Łódź East County
・ Kazimierzówka
・ Kazimierów, Greater Poland Voivodeship
・ Kazimierów, Masovian Voivodeship
・ Kazimierówka
・ Kazimierówka, Chełm County
・ Kazimierówka, Masovian Voivodeship
・ Kazimierówka, Podlaskie Voivodeship
・ Kazimierówka, Tomaszów Lubelski County
・ Kazimir Hnatow
・ Kazimir Kotlinski
Kazimir Malevich
・ Kazimir Sas
・ Kazimir Strzepek
・ Kazimir Tarman
・ Kazimir Vulić
・ Kazimira Prunskienė
・ Kazimirov Kazneni Korpus / Profili Profili
・ Kazimiye, Hopa
・ Kazimov
・ Kazimzumbwi Forest Reserve
・ Kazimír
・ Kazimír Gajdoš
・ Kazimír Verkin
・ Kazin
・ Kazina Bara


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Kazimir Malevich : ウィキペディア英語版
Kazimir Malevich

Kazimir Severinovich Malevich (February 23, 1878 – May 15, 1935) was a Russian painter and art theoretician〔Milner and Malevich 1996, p. X; Néret 2003, p. 7; Shatskikh and Schwartz, p. 84.〕 of Polish descent. He was a pioneer of geometric abstract art and the originator of the avant-garde Suprematist movement.
==Early life==
Kazimir Malevich was born Kazimierz Malewicz to a Polish family,〔N.D. (26 July 2013), ( Walczą o polskość Malewicza (Advocating the Polishness of Malewicz) ) ''Nowy Dziennik''.〕 who settled near Kiev in the Kiev Governorate of the Russian Empire during the partitions of Poland.〔Nina Siegal (November 5, 2013), (Rare Glimpse of the Elusive Kazimir Malevich ) ''New York Times''.〕 His parents, Ludwika and Seweryn Malewicz, were Roman Catholic like most ethnic Poles.〔 They both had fled from the former eastern territories of the Commonwealth (present-day Kopyl Region of Belarus) to Kiev in the aftermath of the failed Polish January Uprising of 1863 against the tsarist army.
His native languages were Polish and Russian.〔(【引用サイトリンク】first=Patricia )
Kazimir's father managed a sugar factory. Kazimir was the first of fourteen children,〔 only nine of whom survived into adulthood. His family moved often and he spent most of his childhood in the villages of Ukraine, amidst sugar-beet plantations, far from centers of culture. Until age twelve he knew nothing of professional artists, although art had surrounded him in childhood. He delighted in peasant embroidery, and in decorated walls and stoves. He was able to paint in the peasant style. He studied drawing in Kiev from 1895 to 1896.

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